AGAN

His live electronic pieces grow out of an ongoing practice of turning hardware built for other purposes into instruments. Call of Wilderness (2025), for Wacom tablet and live electronics, was selected for the 2026 New York City Electroacoustic Music Festival. Call of Mongolia (2024) is driven by a Game-Trak motion controller. The Impression of Jiazhou (2022), for alto saxophone, PS5 controller, and Max/MSP, premiered at Auer Hall at the Indiana University Jacobs School of Music, where the controller's joysticks generate spectral data in real time while the saxophone's amplitude envelope drives a spectral saturation module. The Collision of Colors (2021), an eight-channel work, also premiered at Auer Hall; Mirror Image (2018) has been performed in Taipei and at Goodwin Recital Hall at the Peabody Institute. Call of Nowhere was presented at the 2025 National SEAMUS Conference at Purdue University and at MOXsonic, the Missouri Experimental Sonic Arts Festival.他的现场电子作品延续着一项持续的实践：将原本为其他用途设计的硬件转化为乐器。《Call of Wilderness》（2025）为 Wacom 数位板与现场电子创作，入选 2026 年纽约市电子声学音乐节；《Call of Mongolia》（2024）由 Game-Trak 体感控制器驱动。《嘉州印象》（2022）为中音萨克斯管、PS5 手柄与 Max/MSP 而作，首演于印第安纳大学雅各布斯音乐学院 Auer Hall；其中，手柄摇杆实时生成频谱数据，萨克斯管的振幅包络则驱动频谱饱和模块。八声道作品《The Collision of Colors》（2021）也在 Auer Hall 首演；《Mirror Image》（2018）曾在台北及皮博迪音乐学院 Goodwin Recital Hall 演出。固定媒体作品《Call of Nowhere》曾在 2025 年 SEAMUS 全国年会（普渡大学）及 MOXsonic 实验声音艺术节呈现。

Mianeow received an Excellence Award at the 2023 Shanghai International Electronic Music Competition, Seeker an Excellence Award in the video category at Musicacoustica Beijing in 2016, and Psilocybin, for cello and accordion, Second Prize at the Second Yingwu Cup Chinese Accordion Composition Competition.在创作奖项方面，《Mianeow》获 2023 年上海国际电子音乐比赛作曲优秀奖；《Seeker》获 2016 年北京国际电子音乐节（Musicacoustica）视频组优秀奖；为大提琴与手风琴而作的《Psilocybin》获第二届“莺舞杯”中国手风琴作曲比赛二等奖。

He trained in composition at the Middle School Attached to the Central Conservatory of Music, earned his Bachelor of Music in Computer Music at the Peabody Institute with Geoffrey Wright, and his Master of Music in Computer Music Composition at Indiana University with John Gibson. He also studied data-driven instrument composition with Jeffery Stolet at the University of Oregon. He is currently a doctoral candidate at the University of Illinois Urbana-Champaign, studying with Kerry Hagan and Eli Fieldsteel. His research addresses the acoustic identity and aesthetics of the synthetic growl: how measurable data becomes an expressive decision.他曾在中央音乐学院附中学习作曲，后于约翰斯·霍普金斯大学皮博迪音乐学院获计算机音乐学士学位（师从 Geoffrey Wright），并于印第安纳大学获计算机音乐作曲硕士学位（师从 John Gibson）。此后，他在俄勒冈大学师从 Jeffery Stolet 研究数据驱动的乐器创作。目前，他在伊利诺伊大学厄巴纳—香槟分校攻读作曲博士，师从 Kerry Hagan 与 Eli Fieldsteel，研究 synthetic growl 的声学身份与审美：可测量的数据如何转化为具有表现力的决定。

Alongside his concert work, he served as producer, mix engineer, and mastering engineer on the single 142857, written, composed, and arranged by AVA. He founded M4BC, a Chinese-language Max/MSP education project, and teaches Max for Live at the 2026 Cycling '74 workshop in Guangzhou.在音乐会创作之外，他还担任单曲《142857》（词曲、编曲：AVA）的制作、混音与母带工程师。他创办了中文 Max/MSP 教学项目 M4BC，并于 2026 年 Cycling ’74 广州工作坊讲授 Max for Live。